English Grunge was the title (and the mood) of this shooting: heavy jacquard jumpers, checked fabrics, oversized volumes. Ph. Michael Woolley, Styling Carlo Ortenzi.

Two of us. Father and son, brothers, friends, life partners, husband and husband, it doesn’t make a difference. First of all, two men. Two man that could be anyone, that could be two of us. How many times have we read about “she” stealing from his wardrobe? Well, in this case is much easier, and mainly the “theft” isn’t one-directional: it’s an exchange. Then it’s normal if age, build and personality don’t correspond; suppose that one is a real dandy and the other is “rock”. One classic-formal and the other a denim-addicted. But the basic garments are the same for all: the white shirt, the polo shirt, the pullover. For once, the gender has nothing to do with it. The exchange is only from man to man. Masculine, masculine noun. Indeed.

Unforgettable. Giacomo Ferrara, 27 years old, before Suburra – The Series had already acted in the namesake movie directed by Stefano Sollima as supporting actor. Then we’ve seen him in Il permesso by Amendola and in Il Contagio with Vinicio Marchioni. But with The Series he has established himself as one of the greatest talents of italian cinema. Ferrara’s power in playing the part of Spadino is really great, a character that is bad but not so bad, with a noticeable “problem” for a criminal from a ruthless gypsy family that fights to obtain its part of territory in a very corrupted capital: he’s homosexual. Ferrara’s Spadino is one of those characters that lingers in everyone’s memory: he’s unforgettable. Unforgettable just like – I don’t overstate – De Niro in Taxi Driver. So much that he deserved an article on Financial Times.