Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Io Donna and Sette.
The art of matching. Selecting the proper accessories that matches your look seems easy, but even a little detail can ruin everything. To reduce the risks, respect the rule that want every accessory, from hat to socks, to be in pendant with the outfit; and no mistakes allowed even concerning the fabrics: there are also rules about matching different materials in the proper way. For example: don’t match cashmere with shearling, yes to shearling with tweed. Rather is better to opt for a complete change of fabric: nylon hat with camelhair coat. But personality is required, as well as for wearing red socks with a blue suit or sneakers with jeans: this is so obvious that the sneakers have to be really, really special. But if you have classic tastes, stay classic: blue with blue and denim only with desert boots.
The eclectic knight. “A Fornasetti item has the power of changing the vibration of any place. A room can be very beautiful, but also rooted in real life. Place a Fornasetti in there and the room acquires a completely different aspect”. This is how, in 2005, Philippe Starck described the dreamlike side of the masterpieces of Piero Fornasetti, (Milan, 1913/1988). His son Barnaba continues the research started by his father and contributes to the success of an artist that revolutionized the interior design concept; a “style changer”, Fornasetti, that “for a long time was ostracized. Far from the strict rules of modernist rationalism, bearer of a narrative and theatrical design that reached the highest peak of modernity, recovering at the same time the classical codes. Piero Fornasetti was put on the borders by a system that didn’t forgive his eclectism”: this is what Silvia Annicchiarico writes in the book Citazioni Pratiche, edited by Electa and curated by Barnaba Fornasetti. If Piero Fornasetti had been a director he would have been Fellini, if he had been a band, the Beatles, and if he had been a modern artist he would have been Damien Hirst. And if he had been a fashion designer?