MAURO BALLETTI

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SETTE MAGAZINE EN VOGUE QUELLA LUCE CHE NON HA ETA’

Some colors are timeless and they never go out of fashion. I’m not talking about white, protagonist of this week’s photo. In fact white is not even a color, it also doesn’t have black’s (overrated?) reputation, because you know what they say “you can’t go wrong wearing black”. This picture is from an Harper’s Bazaar Uomo of 1994, it shows how the reverberation of light (already emphasized by a purposely bright background)has been softened by the use of two camel nuances for the sweater, one stronger than the other. In this case, shades can help mitigate the “total white” effect, an annoying 80s peculiarity which periodically comes back being chosen by designers with recognized intellectual creative skills. The color identified as camel (which is a shade of brown-beige) instead it’s simply timeless, is one of men’s favourite colors and is highly rated anytime brought back by fashion designers as over the last couple of years; Dolce & Gabbana, Prada, Zegna and Valentino have built entire collections on its transversality.It’s a refined and reassuring fil-rouge that fits every skin tone, from the blond viking through the irish redhead to the mediterranean male. Photo by Mauro Balletti, Atesh is wearing Dries Van Noten and Dolce & Gabbana knitwear.

SETTE MAGAZINE EN VOGUE L’UOMO VIRILE METTE IL PULLOVER A PELLE


In a collective immaginary, when worn on bare skin, a pullover can bring back to mind sensual memories from the past. From Visconti’s and Rossellini’s neo-realist films till Bertolucci’s Last Tango. The feeling of roughness and rawness of the wool rubbing against the skin in definitely masculine. Is not the case that it’s a way to wear knitwear which through the years has been seen over and over on the runways. Without a shirt, the fabric caresses the figure, it makes chest and shoulders stand out and also makes your movements more fluid; besides, body structure and personality permitting, it’s a very fashionable style wearing a shirt inside the pants, as seen on many fashion magazines from the past. The limits of tollerance, regarding how deep the neckline should be, are quite labile, but if it goes way too far down from the base of the neck the result will not be very masculine. A man with confidence that is comfortable with his masculinity, could wear a silken scarf as a chache-col, or even better , leave it undone as a scarf inside the sweater. with a nice three buttoned blazer or simply under a coat.
 
Picture by Mauro Balletti for Harper’s Bazar, 1995.Total look Dolce & Gabbana.

STYLE MAGAZINE MAGGIO 2010

Due forme d’arte che combaciano in un solo progetto: la foto “pittorica” realizzata da Mauro Balletti. In questo caso l’ispirazione erano le opere di Egon Schiele. L’impermeabile è di Burberry Prorsum e la cravatta Lanvin.

Two different types of art that fit together in a single project: a photo “painted” made by Mauro Balletti. In this case the inspiration were works by Egon Schiele.  The raincoat is by Burberry Prorsum and tie by Lanvin.

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