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Schermata 2019-12-16 a 17.20.17

Gentlemen, let’s mix. I think I’ve already talked about it, but these days I like to revisit it. The styling you find in men’s fashion magazines usually gives ideas for basic or classic outfits: hardly ever – especially the italian magazines – they suggest a mix of fabrics, colors and shapes that abroad (not everywhere, to be clear), instead, where different ethnicities and customs cohexist in harmony, are a rule. So that when we fly to London or New York, Paris or New Orleans, we think: “Look at that, how certain clothes suits them well”. Influences from non-western countries have such charme and personality that – if properly matched – can revive even the most normal suit. Try that. Despite every conformism.


48-MODA-R-schema-libero_Storia6-2The vintage creeps us out. The enthusiasts of this genre are anxious about the beginning of the new season of Bates Motel, the prequel of Psycho, the very famous movie by Alfred Hitchcock. Transmitted by Netflix, the Tv series has been created by Carlton Cuse and Kerry Ehrin that claim to have been inspired also by David Lynch; and, actually, we can find some references to Twin Peaks. Bates Motel doesn’t take place in the 50s, even if it talks about the relationship between mother and son before the murder: the screenplay set the story today. But, detail that adds mistery and charm, the two protagonists , Vera Farmiga (Norma Louise Bates) and Freddie Highmore (Norman Bates), are dressed in 50s’ style. As two ghosts thrown into the present, dis-united in an obsessive relationship that will lead to tragedy. In the new season, Marion Crane (the girl of the memorable scene of the shower, played by Janet Leigh in Psycho), will be played by Rihanna: let’s see if she will wear vintage clothes too.



It reminds me… He was not charming, nor good-looking. But sometimes he was wonderful. Lucio Battisti appeared very rarely even in the golden years of RAI. He barely took part in only one Festival of Sanremo, in 1969 in a duet with Wilson Pickett with Un’avventura. First and last time. Lucio Battisti never made concerts, the only live appearance was in 1972 for Teatro 10, in a duet with Mina. Battisti’s voice could reach high keys, a kind of falsetto, sometimes nearly touching the bad note; but the timbre was deep, heartfelt, enchanting, touching. Among the very few pictures of him, if we don’t include those shot for the albums’ covers (but since 1979 he didn’t want to appear even on them), those by Cesare Monti, shot in his country house during his free time, stand out. In his free singing (canto libero, from one of his song), Battisti wrote the most beautiful pages of italian pop music and transmitted a sense of privacy and nostalgia, a lonely inspiration that infected other great songwriters like De Gregori and Fossati.


This column is about men’s fashion and style and it’s dedicated to male readers but at the end of the day it’s still part of Io Donna, the most popular Italian women’s magazine so, just for this time, I’ll be talking to the Ladies. Women have so many different sides to their personalities, that’s what makes them feel attracted to different kind of men. Who is your fatal attraction? Some men are dangerously prone to vice or vice versa some others are virtuous and committed to work and family. Some are incredibly vain, some deeply shy. Some men like to play sports and some are homebodies. Some of us are artistically ambitious and some others would prefer to be dissolved in acid rather than go to an art exhibition. Then we have the beautiful ones (which are far from being impossible) but they are often a bit dumb or those who are physically less attractive but intellectually gifted. Did I forget anyone? Let me know, we are here. In the picture Jim Morrison, from the volume “Bad Boys” published by Logos.



“Stormbringer” is the funkiest Deep Purple’s album. It came out at the end of 1974 in full “austerity” period, reaching a breaking point with hard rock: the homonym single was as danceable as “Smoke on the Water” from the older album “Made in Japan ” but more soul. The visual impact of the illustration on the cover was suggesting a stormy scenario (although the title was exhaustive enough) and a statement of intent throught the use of colors, mainly purple, yellow and orange. Such cover desearves to be included among the strongest in history of discography, it represent contemporary anxiety in its very own way addressing several analogies with a certain kind of fashion aesthetic which is currently in style for men’s clothing. In the picture the cover of “Stormbringer” by Deep Purple.