gallo

STYLE MAGAZINE 2013

Eccentric formal. The Kiton wool suit with a check pattern is matched with Bally alligator loafers. White Gallo socks represent a breaking element of the styling, intentionally unconventional. Ph. Gianluca Fontana, Styling Alessandro Calascibetta.

SCHEMA LIBERO ICONS

Many men wish they could look like someone else. There’s who prefers Steve McQueen, or Marcello Mastroianni; who dreams to be Jude Law, or Colin Firth. They are male audience’s favourite actors, so I gather that their classic style is the successful one. It’s not a coincidence that styling’s simplicity and shapes’ linearity are the common denominators of avant-garde designers’ collections, except for rare cases. Advertising campaigns and “strong” window fittings are ideas’ displays that strenghten the image’s media power but, in those same shops that propose that creative level destined for selected connoisseur, there are suits dedicated to timeless demand. Choose your attire paying special attention on modernity (“classic” is not sinonimo of antique, but you can’t keep on wearing the long jacket if now it has shortened), and, above all, try to be nothing else that yourselves. Marcello Mastroianni in 1979 on the set of “La città delle donne”, shot by Tazio Secchiaroli.

SCHEMA LIBERO LA CLASSE NON E’ ACQUA

 

William Faulkner, scrittore, poeta, drammaturgo e sceneggiatore statunitense (1897-1962), premio Nobel per la letteratura nel 1949, considerato il rivale di Hemingway. Uno scatto intimista, rubato in un momento di relax,in un posto che potrebbe essere dovunque, lo ritrae in atteggiamento pensoso: l’autore della foto è sconosciuto. Sembra che stia fissando qualcosa o qualcuno di molto lontano, il contegno è misurato ed elegante; una dignità che appartiene decisamente solo ad uomini vissuti in un tempo remoto: è un ritratto che mi ha colpito. Quell’apparente distacco emotivo che non tradisce i sentimenti e uno stile nel sensopiù largo del termine che riguardano al passato, oggi solo accidentalmente trovano un riscontro reale; mi vengono in mente di nuovo uomini di una volta, come Visconti e Pasolini. L’unico italiano contemporaneo cui penso d’istinto, che rappresenta nei modi e nell’attitudine un tratto così nobile, è il giovane e bravo giornalista Angelo Flaccavento. Il contesto si è fatto serio e nostalgico, mi pare riduttivo scrivere frasi del genere “ecco i vestiti più consoni per unire la classe alla disinvoltura”. Tanto più che, la classe, non si apprende.

SCHEMA LIBERO PER SEMPRE DENIM

 

Denim has been surprising us for over 50 years and it’s not over yet. At this point we all know that the fabric was born in the 17th century as an excellent material for making working clothes. From 1900 denim has been used for everyday clothing. It’s been one of the tangible symbols of the youth revolution and over time became part of designers’ collections, especially during the 80s and 90s when entire collections have been dedicated to denim. But the most important thing to consider is that denim is ageless, it can be used by young people as much as by the over 50s. It has lost all its ideological values over time, now it can be worn by anyone and it has no gender identity. The “Blue Jeans” exhibition inaugurated last november at the Centraal Museum of Utrecht by head of art direction of dutch brand G- Star Pierre Morisset, will be open to the public until march 10. The exhibition shows the history and evolution of denim through all the experimental and creative aspects, from the beginning till today. Denim menswear has not lost its sheen, being suggested every season with different treatments, colors and shapes and also for accessories.

SCHEMA LIBERO SHABBY (MA NON TROPPO)

His physical attributes remind us of Marc Porel and Mark Frechette, the main carachter in “Zabriskie Point” : I am talking about Marco Bocci, better known as police commissioner Scialoja (from the tv serie Romanzo Criminale) or deputy police superintendent Calcaterra ( from Squadra Antimafia). He’s from Umbria like Filippo Timi, good looking like Alain Delon and versatile like Giancarlo Giannini. He’s also very polite, empathetic and professional on photographic sets. He’s not very tall and that makes it easier for us to “dress him up” in the biggest brands as they never make samples for the lanky ones. He’s gifted with natural charm. He has that look, long hair and a little bit of beard, which remind us of a 70s aesthetic that is coming back into fashion, more for the look itself than for the clothing. He looks very good in jacket and tie but he does prefere a more casual outfit in everyday life, choosing easy and wearable clothing in order not to draw much attention to his figure. Although, he does, have a nice figure.