Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Io Donna and Sette.
Gentlemen, let’s mix. I think I’ve already talked about it, but these days I like to revisit it. The styling you find in men’s fashion magazines usually gives ideas for basic or classic outfits: hardly ever – especially the italian magazines – they suggest a mix of fabrics, colors and shapes that abroad (not everywhere, to be clear), instead, where different ethnicities and customs cohexist in harmony, are a rule. So that when we fly to London or New York, Paris or New Orleans, we think: “Look at that, how certain clothes suits them well”. Influences from non-western countries have such charme and personality that – if properly matched – can revive even the most normal suit. Try that. Despite every conformism.
Back to reality. Objective beauty exists, indeed, even in fashion photography. Quality and beauty live despite of the clothes: a look can be average or can be too much, but if the picture that depicts it is beautiful, the value of that image will remain untouched during the years. Otherwise we wouldn’t be able to explain why today we still appreciate the pictures of the great photographers of the past. Wind of change is blowing, encouraging a photographic realism inspired by the masters and, as like as in many other fields, fashion notices the change and often anticipates it.
“Too much” is trendy. What we considered “too much” in the past, now reviewed, modified and updated, is trendy. Maybe it’s not chic, but it’s fashionable. That’s why even an old picture of the frontman of the Albatros, a very young, big-haired and furry Toto Cutugno, looks like a modern one. This pic is from 1976, the period of committed songwriters on one side, and on the other the period of heartbreaking, half-spoken songs just like Volo AZ 504 by the Albatros, that the band presented at Sanremo Music Festival featuring the beautiful singer Silvia Dionisio. The highest top of this genre was reached by Patti Pravo with Incontro. But the same success was achieved by Claudia Mori with the unforgotten Buonasera dottore. Really pop.