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IO DONNA SCHEMA LIBERO IL PONTE INTITOLATO A PPP

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The bridge dedicated to PPP. Ariola is a district of Gerocarne, in the province of Vibo Valentia, in Calabria, with 500 inhabitants in 1960. That year, a certain writer and director that made history arrived thereabouts: Pier Paolo Pasolini. He started the research for the location of “The Gospel according to St. Matthew”, 4 years before the first action. At that time, Ariola could be reached only with a mule track: Pasolini promised to contribute to the building of a bridge, in order to make the life of the inhabitants easier (today they’re around two hundred). The bridge was built and the director kept in touch with a family living there through letters: that, unfortunately, were lost during the emigrations in the following years. In that small town there are four workshops of ceramists that, probably, wouldn’t have existed without that bridge. 57 years later- maybe a little too late- in march, the bridge was dedicated to Pier Paolo Pasolini.

IO DONNA SCHEMA LIBERO TORNA IL PREPPY

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Preppy comes back in fashion. Colours and patterns of preppy style are a foundation of menswear, that sometimes comes back in collections, with marked references to sportswear and – obviously – to colleges and british style. It’s so timeless that we find it in a movie of 1965, Break Up by Marco Ferreri, in a period – the Sixties – dominated by plain colours and Beatles-Suit mania. The movie was cut (due to a controversial commercial procedure) by the producer Carlo Ponti and included as a 30 min. episode in the movie Oggi, domani e dopodomani, with two other episodes directed by Luciano Salce and Eduardo De Filippo. To make a preppy look convincing, it has to be worn by the right man: don’t be cheated by the mediterranean and refined look of Mastroianni (that reminds to Marriage Italian Style and Il bell’Antonio): it works only worn by very anglo guys.

IO DONNA SCHEMA LIBERO SCELTE EPOCALI

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Epochal choices. Today we talk about the importance and added value of accessories, that dignify (or mortify) the look. Shirts, ties, and then shoes, socks, watches, bags, briefcases, hats. Everything can, if matched in the proper way with the outerwear, make us look a little more special. Today is very easy, due to the extraordinary supply of products. But at the same time it’s easier to make mistakes, exactly because the supply is really wide. The “decades of elegance”, like the 30s or the 40s, had rules about shapes and lenghts, fabrics and collars, and everything else: so it was hard to fail. Today, while enhancing the individual personality, there could be the possibility of provoking confusion (and making a mess of bad matchings). The secret stays in coherence. Dandy, eccentric, conformist, traditionalist, pop, unconventional: everything is permitted, as long as you are focused on the style you decide to adopt. Right, a 1935 adv of Arrow shirts.

IO DONNA SCHEMA LIBERO PROFONDO ROSSO

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Deep Red. Its title should have been The saber-toothed tiger. We don’t know if Dario Argento changed his mind in the last second or if he declared a false title to divert the expectations of press and audience. Regardless, it came out with the title Deep Red. It was march 7th 1975. So, the most successful movie by Dario Argento is 40 years old but it looks more recent. The director used advanced shooting techniques, from the Snorkel microcamera to the Dolly Champman camera for tracking shots. Obviously, it has nothing to do with the modern special effects. But the great thing about Deep red is that, although it was shot with means now obsolete, it is frightful just like the actual The Ring saga. The final flashback, that reveals that the murderer’s identity was right before our eyes since the first murder (matter of seconds, but we can see the criminal’s face), and the soundtrack by the Goblins are a milestone of the italian filmmaking. Above, Dario Argento with David Hemmings, the protagonist of Deep Red. 

SCHEMA LIBERO FATE LARGO

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Far and wide. Giorgio Armani, 1982. Ph. Aldo Fallai for L’uomo Vogue. Look at the baggy shapes you see today in the shops’ windows: lots of them show suits, raincoats, coats, shirts, sweaters and trousers that remind the lines of this Armani collection, that dates back to 33 years ago. No, I don’t want to write the nth tribute to Giorgio Armani, but it’s instinctive to say: “Everything started from there and there we come back!”. An ultimate back to the roots? No. In two seasons this trend will be replaced by others. But let’s stick to the present; today we’ve recovered the pleasure of wearing large clothes, that are more comfortable and elegant than the too fitted menswear that has been in fashion for years. But pay attention to baggy trousers; when you sit down your ankles show up looking like breadsticks, and give a disproportionate appearance: the risk is to give this impression also when we stand up; so avoid loafers and pointed shoes and prefer monkstraps or brogues with wide and round shape.