louis vuitton

IO DONNA SCHEMA LIBERO – M COME MODA

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M like Mode. The first issue of M was published twelve years ago, in spring 2006. M was one among many glossy fashion magazines: nice size (big), high-quality paper, great photographers and important brands for pages that showed the season’s trends; it was the last fashion specialized published by Rizzoli. The type and font of the letter M was the same of a very popular RCS magazine: Max, the monthly publication well-known for calendars (Ferilli issue was reprinted and sold more than 500thousands copies). But Max was many other things: De Niro on the cover of the first issue (1985) and the first italian magazine to have Lady Gaga on the cover (december 2009, picture by Ellen Von Unwerth) back when no one would have imagined, thanks to the intuition of Andrea Rossi: the same journalist that today writes “Il graffio” for Style Magazine. M like Mode, M like Max. Many readers conserve M issues still today, that hung in there since the beginning of the great crisis, three years later. And it’s interesting to notice that today many young people, between 25 and 35 years old, show a real interest for paper magazines that are high-impact, glossy, very well-finished. But the best thing is to be a success both in paper and online publications: an example? The supplement you are reading, Io Donna…

STYLE TIPS #3: BAGAGLI – COME SCEGLIERLI

Il terzo appuntamento di Style Tips si allinea con il periodo: festività su festività, voglia d’estate e gite fuori porta, vacanze imminenti (più o meno). E la categoria che decidiamo di affrontare è quella, spesso sottovalutata a livello stilistico, delle valigie.

Ovviamente non possiamo pensare … Continua a leggere →

IO DONNA SCHEMA LIBERO EFFETTI SPECIALI

44-MODA-R-schema-libero_Storia8Special effects. “Susy Benner decided to improve her ballet level in the most famous dance school in Europe, the Friburg Academy. She arrived in Germany from New York at 22:45…”. This is how the nightmare of Susy/Jessica Harper starts. Suspiria (1977), 2nd only to Deep Red (1977), is one of Dario Argento’s best movies and represents his passage from thrillers to horrors. Creepy soundtrack and special effects (with the limits of that years) that set new standards. The photography by Luciano Tovoli is a very strong connotative element: bright colours, invasions of shades of red and blue. The academy’s wallpapers with surreal patterns were inspired by the drawings of Maurits Cornelis Escher. A pop and at the same time claustrophobic opera. A must-see.

HIDING LOGO

VUITTONBorsa, Louis Vuitton f/w 2016/17

Kim Jones ha dedicato la sua ultima collezione invernale alla città di Parigi, e nello specifico alla maison Vuitton, la “sua” maison da ormai cinque anni. Il concept è “Future Heritage”, che si traduce in una serie rivisitazioni di codici propri del marchio dal 1854. Come le borse presentate in passerella, piccole copie degli storici bauli logati, ai tempi realizzati su richiesta del cliente, con interni a specchio e decorate da una nuova versione del Monogram, un gioco traslucido tono su tono denominato Eclipse. La stessa stampa viene riproposta sulle borse Business della stagione, per i fashionisti, ma con sobrietà. A cura di Angelica Pianarosa, Foto Michele Gastl.

Kim Jones chose to dedicate … Continua a leggere →

STYLE MAGAZINE 2016

Xavier Dolan wearing Louis Vuitton in a shot by Shayne Laverdiere.

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