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IO DONNA SCHEMA LIBERO – IL BUON GUSTO

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The Good Taste. There are rules to be respected, and mainly some basic behaviours to be considered in order to be defined as “good taste person”.  The Galateo of Monsignor Della Casa has been written almost five centuries ago, and there is no need to review the key points, because the rules of good taste have been handed down from one generation to another. Today there’s a kind of intellectual creativity – only for very few people- that makes the flaws and the “intentional oversights” an added value. But this is valid only for clothing. We can’t excape from kindness, elegance of speaking and good manners. Standing up to shake the hand of a woman even if she’s young, don’t kiss on the hand if outside, taking off the sunglasses while talking with anyone. Well, we can forgive a smiling and kind person if he/she is not properly dressed, but if the attire is elegant, much better. And of you are worried of making mistakes, don’t add details and details trying to look like a dandy from old times. Simple is better.

STYLE TIPS #4: SNEAKERS PER TUTTI I GUSTI

Sono ormai lontani i tempi in cui le calzature sportive venivano relegate a palestre e campi da gioco. Sempre vetusto è il concetto di considerarle come scarpa da tempo libero, il passe-partout per un piede casual. Le sneakers, oggi così universalmente riconosciute, quelle che poche decadi fa definivamo “le scarpe da tennis”, sono un accessorio irrinunciabile nel guardaroba di ogni uomo. … Continua a leggere →

IO DONNA SCHEMA LIBERO QUEL PIZZICO DI RÉTRO

16-MODA-R-schema-liberoThat rétro touch. Without harking back to the same movies, those sporty-stylish cult-movies like the much-mentioned Chariots of Fire that made our Milena Canonero win the Academy Award for Costume Design, today we can reinterpret that college/preppy vintage taste with a modern aesthetic language. It’s possible thanks to the prompts coming from many designers, able to mix an actual feeling with a retro mood loved by anyone, less and very young. The basis to reach a pleasant and convincing styling, consists in knowing how to match with the right balance the Old with the New. How? For example using accessories bought in second-hand shops. That’s the secret. Be cool and modern but softening the potential overstatement of the clothes with linen socks, watches, rings and shoes in The Great Gatsby‘s style. Just to mention another much-mentioned movie, sometimes improperly. But not this time.

IO DONNA SCHEMA LIBERO NON SONO DETTAGLI

schema-libero12Not details. Eric Bergère, art director, journalist and stylist, born in 1960, in a portrait by Terence Donovan in 1988. Bergère styling is perfectly in line with those years: exaggerated and pompous. Obsessive about details: when he didn’t wear the tie, he wore the cache-col, inserted into the neck of the shirt buttoned up to the third button. With the tie he always wore the silky pocket-handkerchief, matched with the tie. The sideburns were still long, last traces of the 70s grooming; the hair instead were in very 80s style, smoothed back with hair gel. In almost 30 years shapes have changed, but in today’s collections we can see the checked moulinex on blazers and the houndstooth on trousers; rarely the paisley prints on ties. But the pocket hankie is still “missing”.

IO DONNA SCHEMA LIBERO THE MODEL GURU

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The model guru. Cameron Alborzian was born in 1967, from english mother and iranian father. Between the late eighties and the early nineties he was a top model, that many of you maybe remember for Madonna’s videoclip Express Yourself. Then Cameron took an interest in natural medicine and became yoga and reflexology instructor, graduating in New York. In 2003 he moved to India, in Coimbatore, where he increased and improved his knowledge. He contributes to Huffington Post and during the years he writes for several newspapers, from The New York Times to The Times of London. I think that if today he meets Ms. Ciccone, he wouldn’t be shaken. The greatness of Cameron is a mirage for the main part of us. Cameron Alborzian photographed by Mauro Balletti in 1994 for Harper’s Bazaar Uomo.