bresciani

IO DONNA SCHEMA LIBERO IL PONTE INTITOLATO A PPP

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The bridge dedicated to PPP. Ariola is a district of Gerocarne, in the province of Vibo Valentia, in Calabria, with 500 inhabitants in 1960. That year, a certain writer and director that made history arrived thereabouts: Pier Paolo Pasolini. He started the research for the location of “The Gospel according to St. Matthew”, 4 years before the first action. At that time, Ariola could be reached only with a mule track: Pasolini promised to contribute to the building of a bridge, in order to make the life of the inhabitants easier (today they’re around two hundred). The bridge was built and the director kept in touch with a family living there through letters: that, unfortunately, were lost during the emigrations in the following years. In that small town there are four workshops of ceramists that, probably, wouldn’t have existed without that bridge. 57 years later- maybe a little too late- in march, the bridge was dedicated to Pier Paolo Pasolini.

IO DONNA SCHEMA LIBERO QUEL PIZZICO DI RÉTRO

16-MODA-R-schema-liberoThat rétro touch. Without harking back to the same movies, those sporty-stylish cult-movies like the much-mentioned Chariots of Fire that made our Milena Canonero win the Academy Award for Costume Design, today we can reinterpret that college/preppy vintage taste with a modern aesthetic language. It’s possible thanks to the prompts coming from many designers, able to mix an actual feeling with a retro mood loved by anyone, less and very young. The basis to reach a pleasant and convincing styling, consists in knowing how to match with the right balance the Old with the New. How? For example using accessories bought in second-hand shops. That’s the secret. Be cool and modern but softening the potential overstatement of the clothes with linen socks, watches, rings and shoes in The Great Gatsby‘s style. Just to mention another much-mentioned movie, sometimes improperly. But not this time.

IO DONNA SCHEMA LIBERO NON SONO DETTAGLI

schema-libero12Not details. Eric Bergère, art director, journalist and stylist, born in 1960, in a portrait by Terence Donovan in 1988. Bergère styling is perfectly in line with those years: exaggerated and pompous. Obsessive about details: when he didn’t wear the tie, he wore the cache-col, inserted into the neck of the shirt buttoned up to the third button. With the tie he always wore the silky pocket-handkerchief, matched with the tie. The sideburns were still long, last traces of the 70s grooming; the hair instead were in very 80s style, smoothed back with hair gel. In almost 30 years shapes have changed, but in today’s collections we can see the checked moulinex on blazers and the houndstooth on trousers; rarely the paisley prints on ties. But the pocket hankie is still “missing”.

IO DONNA SCHEMA LIBERO MI RITORNA IN MENTE…

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It reminds me… He was not charming, nor good-looking. But sometimes he was wonderful. Lucio Battisti appeared very rarely even in the golden years of RAI. He barely took part in only one Festival of Sanremo, in 1969 in a duet with Wilson Pickett with Un’avventura. First and last time. Lucio Battisti never made concerts, the only live appearance was in 1972 for Teatro 10, in a duet with Mina. Battisti’s voice could reach high keys, a kind of falsetto, sometimes nearly touching the bad note; but the timbre was deep, heartfelt, enchanting, touching. Among the very few pictures of him, if we don’t include those shot for the albums’ covers (but since 1979 he didn’t want to appear even on them), those by Cesare Monti, shot in his country house during his free time, stand out. In his free singing (canto libero, from one of his song), Battisti wrote the most beautiful pages of italian pop music and transmitted a sense of privacy and nostalgia, a lonely inspiration that infected other great songwriters like De Gregori and Fossati.

IO DONNA SCHEMA LIBERO THE MODEL GURU

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The model guru. Cameron Alborzian was born in 1967, from english mother and iranian father. Between the late eighties and the early nineties he was a top model, that many of you maybe remember for Madonna’s videoclip Express Yourself. Then Cameron took an interest in natural medicine and became yoga and reflexology instructor, graduating in New York. In 2003 he moved to India, in Coimbatore, where he increased and improved his knowledge. He contributes to Huffington Post and during the years he writes for several newspapers, from The New York Times to The Times of London. I think that if today he meets Ms. Ciccone, he wouldn’t be shaken. The greatness of Cameron is a mirage for the main part of us. Cameron Alborzian photographed by Mauro Balletti in 1994 for Harper’s Bazaar Uomo.