When an actor let himself be photographed. Antonio Folletto made his debut in theatres 9 years ago, in a comedy dedicated to Massimo Troisi. His most recent work, whose takes ended in 2016, is on TV in these weeks: Gomorra 2, an expected success. Folletto is resistant to social media, introverted and shy, but cheerful enough to be photographed – last autumn – without embarrassment and with irony for Style Magazine. His relationship with fashion is very free, without that mostly immotivate worries that many actors have (“Do I look ridicolous?”) and can complicate the making of the shooting. I don’t refer only to italian artists. Jeremy Irons, for example, is a nuisance. O’ Principe (The Prince, his character)/Folletto, that on screen plays his role just fine between a giant like Fortunato Cerlino/Pietro Savastano and the revelation-star Salvatore Esposito/Genny Savastano, on set selected classic and timeless clothes, with a little odd touches (a blazer with big black/white checks), the three-pieces suit, till the neo-existentialist charme of the turtleneck. The uniform of the cultured artist. Without sarcasm: Antonio Folletto is a great artist indeed. Ph. Stefan Giftthaler for Style Magazine.
Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Sportweek, Io Donna and Sette.