Leaves’ colour. In his case, that kind of photography defined as still-life couldn’t have a most suitable name. For 35 years Karl Blossfeldt (Schielo 1865 – Berlin 1932) photographed leaves, seeds and flowers. Images that the german sculptor and photographer used to show his students how nature’s shapes, adapting to environment and weather, acquire different and fascinating morphologies. Blossfeldt, indeed, said: “Plants don’t have to be evaluated with an insensitive and mere functionalism, but their shapes develop on the basis of logic and adaptation and with their primordial strenght push every part to obtain the highest artistic expression”. His first photographic volume, Unformen der Kunst, was published in 1928 and today it’s still considered so much modern, that it suggests the hazard of a new form of modern art linked to the idea of “back to the roots”. The New Futurism? By now content ourselves with wearing the colour of nature. In this season’s collections there are garments for every taste and complexion. The opera omnia of Karl Blossfeldt
Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Sportweek, Io Donna and Sette.