Grey-blue. The nostalgia for one-time Milano is a generation vice, doomed to be handed down forever. Today’s twentysomething will say the same thing repeated by nostalgics now. Who was twenty between Seventies and Eighties regret a Milan that doesn’t exist anymore (“how fine we felt, how nice it was”). Actually, they regret having lost their youth; Milan’s energy was a projection of adolescence, it was not true. There was both cultural and political unrest, but dont’ forget that they were the so-called “Years of lead”. Today it’s more beautiful and liveable than once even if it remains a hard city: you can love or hate it, there’s nothing in the middle. Maybe “it doesn’t laugh and have fun anymore”, as Lucio Dalla sang in his ’79 piece, but it’s almost ready for Expo, peripheral areas have become beautiful and new glass buildings look like shining rockets pointed towards the future. The new Milan is grey-blue. Fast and glossy more than ever. Work in progress for Milan Expo.
Alessandro Calascibetta has been active in fashion since the late 80s. He started off his career at L'Uomo Vogue, after that with Mondo Uomo. Afterward, he became Fashion Director at Harper's Bazaar Uomo, and in 2000 founded Uomo which he directed until 2003. Following that, he started collaborating with Rizzoli. Since january 2015 he is the Editor in Chief of Style Magazine, and still remains as Man Fashion Director for Io Donna and Sette.