SETTE MAGAZINE EN VOGUE QUANDO LO SCATTO D’AUTORE ERA SOGNO

When fine art photography made us dream.

Objective beauty exists and is the antidote against the confusion reigning over fashion  photography-related standards. The quality of fashion photography does not depend on good taste in clothing, as we may not like a dress but when the picture it’s good its value will last through the years. Otherwise I can’t explain why older photographers are still role models and why social networks keep on suggesting old pictures as symbols of beauty and prestige. Today fashion photography is going in a different direction, it became more important to shoot the best selling pieces and the styling has lost its importance. Companies just want to see their starched clothes without a soul, there’s also a lack of technique: we are far too easily satisfied, we dream less and fashion gradually looses its status because all campaigns in the end look almost the same. If you take a look at the picture in the middle by Paolo Roversi(a 20 years old Valentino ad campaign), you’ll see how he managed to create intensity and a three dimensional effect “just” using the right light. The model David Boal, the velvet maxi coat and a striking styling did the rest. We still have lots of beautiful clothes and men but photographers like him, not so many. Valentino ad campaign from 1993: picture by Paolo Roversi.

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